Confusion and misunderstanding apparently exist in both the human and supernatural world. As perfect harmony quickly dissolves into unmanaged chaos, relationships disintegrate. But thanks to some quick thinking, all is well in the end.
In Tesoro’s production of William Shakespeare’s “A Midsummer Night’s Dream,” four New Orleans youths (Helena, Hermia, Lysander, and Demetrius) fall into a baffling love square at the hands of Puck, a mischievous elf. An additional side story tells the tale of the mechanicals, laboring class, who resolve to perform “Pyramus and Thisbe” for Theseus and Hippolyta’s wedding, where these two stories become one. All the while, Oberon and Titania (King and Queen of the Fairies) are having marital troubles, leading to theft and trickery. Not a dull story in the least!
Mark Gibson, as Puck, enhances the production as a whole. As the conniving little elf, Gibson’s infectious laugh and quirky voice escalate the playfulness of his character. Consistent mannerisms and unending lines lead to his ultimate control over the play. Not once breaking character and always investing 100% effort contribute to Gibson’s overall spectacular performance.
Nick Mestakides, as Nick Bottom, exhibits the largest character development on stage. Exaggerated speech, flamboyant gestures and movement, and his own larger-than-life personality seamlessly fuse together to create this memorable high-energy role. Excessive enthusiasm and pizzazz contribute greatly to Mestakides’ stand-out performance and remarkable stage presence. Even as Pyramis, his liveliness never falters and instantly brightens otherwise dull scenes. Beaming with talent, Mestakides immediately attracts all attention whenever on stage.
The ever-present supernatural aura is further enhanced by the mystical colors used in the lighting design (by Marcus Mathews, Morgan Lappi, and Lindsay Lowy). Enchanting purples, charming blues, and mysterious greens drench the scene in the colors of magic. The light and airy skirts (by Julie Michalek and Amanda Lorge) create the weightless and whimsical appearance of Titania’s fairies, complementing the dramatic lighting tones.
Utilizing the magical colors integrated into the performance, the marketing and publicity team (Nhung Mai, Dave Vera, and Bryan Hefner) expertly designs the production programs and posters. Creativity runs wild throughout the entire visual concept: a moonlit ocean, flanked by sparkling trees, ripples below a glowing moon of love.
Tesoro High School’s excellent production of William Shakespeare’s “A Midsummer Night’s Dream” keeps the audience wanting more. Tesoro demonstrates that true love always prevails, even through confounding interference by the magical world.
